The Foo Fighters were thousands of miles from home on tour when they heard that their super-heavy seventh LP, Wasting Light, got nominated for six Grammys. "That has to be the highlight of the year for us," says front man Dave Grohl, checking in from Austra- lia between shows. "Believe me, we were blown away when we found out." Once he returns to the States, Grohl will get back to work on the documentary he's directing about legendary L.A. studio Sound City. "It's exciting," he says of the film. "The vision is incredibly clear - youll see."
Congratulations on the Grammy
nominations! Are you stoked?
It's fucking crazy. I mean, for
an album we made in my garage,
totally analog to tape, without any
computers at all, to be nominated
for Album of the Year? It's kind of
inspiring. Like, it's OK to sound like
human beings.
Deadmau5 was also nominated
for his house remix of the Foos
song "Rope." Are you a fan?
That guy fucking rocks! My daughter and I used to blow up this inflatable air mattress, turn on the satellite dance station and bounce
around like maniacs for hours. That's how I discovered him: a song called "I Remember" - fucking beautiful.
What have been your
favorite parts of this
tour?
Playing "Bad Reputation"
with Joan Jett at Madison Square Garden
was incredible. Then
there was Alice Cooper at Milton Keynes
Bowl in England -
he came out for the
encore and did
"School's Out"
and I'm Eighteen" with us in
front of65,000
people. Stole
the show. But the greatest honor for me was jamming with Bob Mould at his tribute concert in L.A. I owe so much to that guy.
What's the idea behind the documentary you're making?
When Sound City closed last year, it was a very sad day. That
place was like a church. The list of people that recorded there reads
like a virtual Rock and Roll Hall of Fame: Neil Young, Fleetwood
Mac, Tom Petty, Cheap Trick, Slayer, Rage Against the Machine.
Weezer, Metallica - and Nirvana- We recorded Nevermind there
back in 1991. That funky old place had the best drum room in the
world. The drum sound at the beginning of "Smells Like Teen
Spirit"? That's Sound City. I decided to make a film about that
feeling you get when you put five guys in a room, hit "record,"
and the hair on the back of your neck stands up. Expect
some epic jam sessions.
What did the 20th anniversary of Nevermind this past fall mean to you?
The anniversary was a trip, but not in any musical way. It was much more personal. My life is
split in two by that one event: pre-Nevermind and post-Nevermind. And those are two very
different worlds! To look back on it all
made me feel like it wasn't that long
ago, really. It made me feel like I
have so much more to do. And it
made me miss Kurt.
What do you think of all
the Nineties nostalgia
lately?
I don't really see anything that I consider
Nineties nostalgia.
Loud-ass guitars and
drummers who trash
their kits -
when did that
ever go away? I
love that a band
like Soundgarden can still
fucking slay, but I
wouldn't consider it
nostalgic. It's not like guitars and drums and people
who make honest records died
off and are being resurrected
in some Jurassic Park laboratory. That shit still exists. It's just
suffocating under a pile of trash.
But these are tough times for
rock radio, aren't they?
It's obvious that rock radio has
been suffering from some kind of formulaic-playlist syndrome over the past
10 years. The feeling that you had the first
time you heard "Bohemian Rhapsody" or
"Roxanne" or "Smells Like Teen Spirit" - that's
what radio is for. Radio should not be warm
milk. It should be moonshine. But for the last
fucking time: Rock & roll doesn't need to
be saved. Its alive and well, thank you
very much.